Starred review from March 1, 2004
"The grief is up already. It is an early riser, waiting with its gummy arms wrapped around my neck, its hot, sour breath in my ear." Sophie Stanton feels far too young to be a widow, but after just three years of marriage, her wonderful husband, Ethan, succumbs to cancer. With the world rolling on, unaware of her pain, Sophie does the only sensible thing: she locks herself in her house and lives on what she can buy at the convenience store in furtive midnight shopping sprees. Everything hurts—the telemarketers asking to speak to Ethan, mail with his name on it, his shirts, which still smell like him. At first Sophie is a "good" widow, gracious and melancholy, but after she drives her car through the garage door, something snaps; she starts showing up at work in her bathrobe and hiding under displays in stores. Her boss suggests she take a break, so she sells her house and moves to Ashland, Ore., to live with her best friend, Ruth, and start over. Grief comes along, too—but with a troubled, pyromaniac teen assigned to her by a volunteer agency, a charming actor dogging her and a new job prepping desserts at a local restaurant, Sophie is forced to explore the misery that has consumed her. Throughout this heartbreaking, gorgeous look at loss, Winston imbues her heroine and her narrative with the kind of grace, bitter humor and rapier-sharp realness that will dig deep into a reader's heart and refuse to let go. Sophie is wounded terribly, but she's also funny, fresh and utterly believable. There's nary a moment of triteness in this outstanding debut. Agent, Laurie Fox.
(Apr.)
Forecast:
With a 100,000-copy printing, a low price point, a huge publicity push and blurbs from Jennifer Weiner and Billie Letts, this should hit the lists. Book Sense pick for March/April.
March 15, 2004
Sophie Stanton is 36 years old and too young to be a widow. Widows wear cardigan sweaters and play weekly pinochle with friends named Gladys. Widows lose their husbands after 50 years of marriage, not after only three years. So far, Sophie's grief has led her to drive her car into the garage door, donate all her furniture to Goodwill, and gorge on Oreo cookies. Deciding that she has nothing left to lose, she moves to Ashland, OR, and discovers that a new life can help the pain and grief of losing Ethan. Emotionally engaging, full of quirky characters with realistic problems, and capped with a satisfying conclusion, this first novel is a rare treat. Sophie is self-deprecating, smart-alecky, insecure, and so lost in grief and despair that we become instantly involved in her situation. Her new life seems to bring more challenges, but she learns to face them with determination, humor, and the hope of finding some kind of meaning from the tragedy she has experienced. Highly recommended for all public libraries.-Kellie Gillespie, City of Mesa Lib., AZ
Copyright 2004 Library Journal, LLC Used with permission.
March 1, 2004
Sophie Stanton goes from newlywed to widow in just three short years of marriage, her competent and confident persona replaced by an Oreo-munching, robe-and-slipper-clad zombie. Overwhelmed by grief and despair, out of a job, home, and clothes that fit, Sophie leaves her high-pressure, memory-laden Silicon Valley lifestyle for a laid-back Oregon village. In her metamorphosis from bereft widow to beguiling woman, Sophie is aided by an unlikely ally: Crystal, a street-smart but emotionally damaged teenager she befriends as part of a "Big Sisters" program. If there are stages to the mourning process, Winston gets them all down perfectly, communicating Sophie's misery with a poignant empathy. Those who have experienced such loss will surely recognize themselves in some part of Sophie's transformative journey; those who haven't will hope to demonstrate as much grit, wit, and charm as Winston's lovable heroine. Tackling a difficult subject in a debut novel is a gutsy move, and Winston pulls it off with just the right blend of heartfelt humor and heartwarming humanity.(Reprinted with permission of Booklist, copyright 2004, American Library Association.)