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Snobs

A Novel

Audiobook
4 of 5 copies available
4 of 5 copies available

Julian Fellowes, creator of the Emmy-Award winning TV series Downton Abbey, established himself as an irresistible storyteller and a deliciously witty chronicler of modern manners in his first novel, Snobs, a wickedly astute portrait of the intersecting worlds of aristocrats and actors.
"The English, of all classes as it happens, are addicted to exclusivity. Leave three Englishmen in a room and they will invent a rule that prevents a fourth joining them."
The best comedies of manners are often deceptively simple, seamlessly blending social critique with character and story. In his superbly observed first novel, Julian Fellowes, winner of an Academy Award for his original screenplay of Gosford Park, brings us an insider's look at a contemporary England that is still not as classless as is popularly supposed.
Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl of Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.
When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?
One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator—-an actor who moves comfortably among the upper classes while chronicling their foibles—-"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

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    • Publisher's Weekly

      January 17, 2005
      Wodehouse gets a modern twist in this brilliantly acerbic tale of snobbery and marital tomfoolery in 1990s London. Our nameless protagonist, a jovial, perceptive sort of 30-something fellow hanging affably about the fringes of society, introduces his middle-class but sleek and beautiful friend Edith Lavery to the earnest but dull Lord Charles Broughton. Much to the dismay of "civilized" society, Charles falls in love and proposes to the social-climbing but largely indifferent Edith. Even after she is married, Edith is snubbed and humiliated at every turn (in the slyest, politest possible way, of course), until she moves out in a huff with her married lover, Simon Russell, an actor/ego-on-legs who is eating up the publicity that comes with being seen with a countess and eager for this entrée into society (he doesn't realize Edith has been cast into the societal dung heap). To Edith's consternation, the glittering world of theater turns out to be just as small-minded and dull as that of society, with the added disadvantage of it not involving much money. Gossipy and dishy, this debut by the Oscar-winning screenwriter of Gosford Park
      is a merciless and hilarious sendup of snobbery and social jealousy, revealing the pettiness and self-absorption of both the envious and the envied. Agent, Cathy King at ICM (U.K.). (Feb. 10)

      Forecast:
      Fellowes's satire of the English class system, a bestseller in the U.K., translates well for American readers. Anglophiles in particular will be in Brit-hit heaven.

    • AudioFile Magazine
      When the social-climbing Edith Lavery marries the slightly boring Lord Charles Broughton, all hell breaks loose in 1990s' London high society, particularly when Edith's ensuing boredom pushes her into the arms of another man. Even better than Fellowes's wicked wit, entertaining plot, and superb characters is his dead-on reading of his own work. In his care, the characters leap from the page in all their glory--airing the petty complaints and dirty laundry of the consummately snobbish. Fellowes employs subtle vocal changes for each character, nailing their snootiness and whining. Told in the first person by a likable narrator orbiting the fringes of British society, the story paints a silly but sharp and comic portrait of the upper class. The production ends with an interview of Fellowes--the perfect icing on this indulgent cake. H.L.S. Winner of AudioFile Earphones Award (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      Starred review from May 2, 2005
      Listeners will have little trouble believing that reader Morant was born into the rarified world that serves as the setting for this gossipy tale. He narrates with the lightest of touches, truisms about the English upper crust rolling off his tongue with powerful understatement. Fellowes is the author of the Oscar Award–winning screenplay Gosford Park
      , and his deliciously satiric debut highlights the foibles and snobbery of the contemporary British upper classes. Morant effortlessly embodies the narrator, a jovial unnamed actor content to remain an observer of his own social class, and he does an equally fine job portraying the people under the narrator's purview. With the proper blend of disdain and understanding, Morant gives voice to the social-climbing Edith Lavery, who marries to advance herself, but his interpretation of Edith's mother-in-law, Lady Uckfield, trumps even this achievement. As Fellowes explains, "Googie" always speaks in an intimate, girlish tone, as if she's letting one in on savory gossip, but listeners don't have to take his word for it. Morant tackles this delicious characteristic with gusto while still revealing the three-dimensional character underneath. Simultaneous release with the St. Martin's hardcover (Reviews, Jan. 17).

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  • English

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