The Wonderling

July 17, 2017
In her first book for children, Bartók (The Memory Palace) takes readers to a world in which part-human, part-animal groundlings are largely treated with disdain. The story follows a one-eared fox groundling known simply as Number Thirteen, who has spent all of his remembered life at Miss Carbunkle’s Home for Wayward and Misbegotten Creatures, where days are spent toiling silently in a classroom and factory. After Thirteen saves Trinket, a daring bird groundling, from bullies, the two hatch a plan to escape the home. Renamed Arthur by Trinket, the fox groundling seeks to uncover his hazy past but finds his trust and innocence tested in dark and unfriendly places. Bartók doesn’t delve into the origins of groundlings but uses them successfully as a stand-in for other disenfranchised groups, with the groundlings subjected to derision and menial tasks by most of the upper classes. Music plays an important role in the story, both as a means of connection and a force for good. Though somewhat dense and slow moving at times, Bartók gives readers a richly imagined fantasy landscape to lose themselves in. Final art not seen by PW. Ages 10–14.

Starred review from September 1, 2017

Gr 3-6-Thirteen, a fox groundling (creatures that are half animal, half human), has spent most of his life in "the Home," a horrid orphanage/workhouse run by the evil Mrs. Carbunkle. When he saves a bird groundling named Trinket, the two hatch an escape plan, and Trinket renames him Arthur, in honor of the brave medieval king. Once Arthur and Trinket are free from Mrs. Carbunkle, they set off on an adventure that will test Arthur's destiny as a Wonderling, including his very unusual abilities to understand and speak to animals and to unknowingly sing a haunting song each night as he sleeps. He will have to head ear-first into danger and return to The Home to find out what that destiny holds. Written with clear and detailed descriptions, this novel drops readers into a strange, magical, mythical, and mechanical world. Fantasy fans will be swept along by the mystery and adventure, guessing until the end how the plot and characters connect. Bearing some similarities to Lemony Snicket's "A Series of Unfortunate Events" with shades of Erin Hunter's "Warriors" series, Bartok's title will appeal to readers who appreciate anthropomorphized animal characters, high-stakes adventure, and Dickensian settings. VERDICT A stellar new contribution to fantasy that should find a place in every middle grade collection.-Clare A. Dombrowski, Amesbury Public Library, MA

Copyright 2017 School Library Journal, LLC Used with permission.

Starred review from July 1, 2017
A young groundling, or animal hybrid, escapes a horrible orphanage to discover his past. The shy, foxlike groundling known as No. 13 has only the faintest memory of a song and the far-off sounds he can hear with his single furry ear to keep him wondering why he exists. He's imprisoned along with dozens of other unwanted groundlings in a former monastery-turned-grim workhouse where food and comfort are scarce. The seemingly human headmistress has dark secrets, and her assistants are cruel to the orphans. When a clever and resourceful new friend springs Arthur, as she calls No. 13, and herself from the institution, the two embark on an epic journey that will eventually bring them back to free the other orphans. Bartok's language is full of rich description and effulgent inventories of food and places. Her world includes Christmas and Beethoven, along with homes in hollow trees, clockwork beetles, police patrols on flying bicycles, and allusions to ancient magic, both good and evil. Arthur, sweetly innocent throughout his journey, must make his way in Lumentown, where groundlings are at best second-class citizens and High Hats control everything. Arthur's harrowing encounters with cruelty, hunger, and filth are interspersed with gentle humor and kindness. Though the origins of the groundlings are never explored (perhaps saved for the planned sequel), the worldbuilding otherwise has an impressive level of conviction and credibility. Bartok's lovely, detailed illustrations and drawings throughout support the sense of enchantment in this imaginative adventure. Captivating and with great potential as a read-aloud. (Fiction. 9-13)

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January 1, 2018
Eleven-year-old Arthur is a half boy, half fox "groundling" imprisoned in an orphanage of melodramatic misery. When he makes friends with Trinket, a small, perky birdish creature, his fortunes improve--for a while. Bartsk takes a joyful kitchen-sink approach to this big-canvas fantasy, incorporating plenty of fairy-tale tropes, nods to Dickens and T. H. White, and a generous helping of steampunk.

(Copyright 2018 by The Horn Book, Incorporated, Boston. All rights reserved.)

November 1, 2017
In Arthur's world there are humans, wild animals, domestic animals, pets, and, on the bottom of the heap, groundlings, creatures who combine human and animal. Arthur is eleven years old, half boy, half fox, imprisoned in an orphanage of melodramatic misery, cruelty, and deprivation. When he makes friends with Trinket, a small, perky, birdish creature, his fortunes change, and the two plan and execute an escape. Frying pan to fire, he ends up first as an apprentice to a Fagin-esque figure and then trapped in Gloomintown, an underground hellhole. Innocent and pure, Arthur proceeds through a gallimaufry of fairy-tale tropes, nods to Dickens and T. H. White, and a generous helping of steampunk in pursuit of his goal of self-knowledge. But Bartok demonstrates her own inventiveness: one type of device for instance is a combination of passenger pigeon, player piano, and the internet. She also creates memorable scenes. A particularly sly one involves Miss Carbunkle, the sadistic headmistress of the orphanage, looking for venture capital to support her goal of removing music from the world. This big-canvas fantasy is not shy about lengthy description, a bouncing point of view, or a joyful kitchen-sink approach to secondary characters, incidents, and plot lines. sarah ellis

(Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)